Roberts Family (Click for Family Tree)

The year was 1918, and the world was changing rapidly. The students in the photo above were born 1899-1900, the turn of a century that went from candles to gas lights for reading and doing homework, to electricity that eventually would power the lighting in their rural Iowa homes, and later computers. The US Post Office started the world’s first air mail delivery that year, with time zones and daylight savings time becoming official. World War I would finally end that November after four years of global bloodshed, but the first “Spanish flu” case was seen in nearby Kansas- that epidemic would take even more lives, a large number of them young people. Mechanization on the farm was improving although farming was still a hard and time-consuming job- note that there is only one male student in the graduating class. Other young men had likely dropped out of school by the 8th grade or even before, as they were needed on the farm or in the family business, thinking further schooling would not prepare them any better for the career they had ahead of them. Some of the young men might even have been in France or somewhere else in Europe, fighting in World War I.

Edith Roberts (later McMurray, then Luck) is the student standing second from the left. Her parents, George Anthony Roberts, Sr. (1861-1939) and Ella “Ellie” Viola (Daniel) Roberts (1866-1922), and her siblings, George A. Roberts, Jr. (1889-1965) and Ethel Gay Roberts (later Robison) (1891-1969) lived on the family farm in Mound Prairie Township in Jasper County. Edith paternal grandparents were living at 108 N. Sherman in Prairie City while she was in high school. Perhaps she stopped by to see them after her classes some days, or took them some of the fruits and vegetables she, Ethel, and their mother had canned, or the delicious butter that Ellie made and sold in the local stores. Her grandmother, Elizabeth Ann (Murrell) Roberts died in 1917, and her grandfather John Roberts (1832-1922) may have moved in with his son William Edward Roberts who lived with his family on Jefferson Street by the time Edith graduated.

They all would have received one of these beautiful envelopes in May of 1918:

Within would be the announcement of Edith’s graduation, along with the names of her classmates:

Commencement exercises would take place at the Opera House in Prairie City on Friday, May 24th, 1918, at 8pm. Those who would walk across the stage and receive their hard-earned diploma were:

It would be interesting to follow up and learn more about the later lives of Edith’s classmates. As for Edith, she attended the University of Iowa in Iowa City, Iowa. She began with interest in a degree in music and teaching, however graduated in June of 1923 with a B. A. in Zoology- very unusual for a woman in those years! She did take courses in the science of education and psychology, so also received a certificate from the School of Education so that she could teach. She valued education her whole life, enjoying any chance to learn and imparting that love to her son and grandchildren.

Notes, Sources, and References: 

1. Family treasure chest of photos and ephemera.
2. There are ten persons in the class photo, but only nine are listed as graduating. Perhaps one of the women is the teacher for the class? The reverse of the photo does not list names.

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Original content copyright 2013-2021 by Heritage Ramblings Blog and pmm.

Roberts Family (Click for Family Tree)

George Anthony Roberts, Sr. (186 -1939) was a strong-willed, self-confident man.   “A man’s home is his castle” is definitely reflected in this picture of him at home on the farm.

It is charming to see the picture of George, probably in his early 60s, in front of the picture of him as a younger man with his brothers on the back wall of the parlor. William Edward Roberts is on the left in the portrait and Jason Lee Roberts in the center, with George, the youngest son, on the right; it was probably taken somewhere between 1880-1900. This photo bridges time in many other ways, too, as the photo of George’s youngest daughter sits on the piano. That picture of Edith Roberts was probably taken when she was in college, sometime between about 1918-1921.

Although very obviously from the outside a typical farmhouse of the late twentieth century, the Roberts home and furnishings also bridged time. There were lovely American Arts and Crafts, also known as Craftsman-style, features on the inside. The tall baseboards and wide trim around the windows were very linear in the newer style, unlike the frou-frou, curvy Victorian designs of earlier years. If the image is enlarged to see the stairway in more detail, the squared balusters, the simple, angular hand rail, the wooden ‘strap’ detail on the stairway newell posts, and the angular little bench to the side of the stairs that had a cupboard below all reflect Craftsman style. There is no seat cushion on the bench, just a pillow to the side. (Our ancestors were obviously tougher people than we are today!) The cabinet door face is what many would now call ‘Shaker style,’ but it was very typical for the Craftsman era, in which handwork and fine craftsmanship were emphasized over the factory-manufacture of thousands of the same mediocre items.

While George’s rocker was Craftsman-style (note the leather seat, squared tapering of the legs, and the detail of small supports where the leg meets the chair arms), other elements of the decor were still Victorian. Most people did not have enough money to change out all their furnishings to a new style, and may have wanted to keep some furniture that had sentimental value from parents or times past. The piano and bench had ornate capitals at the top of their legs and on the supports of the upright portion of the piano. The table behind George had a decorative spindle front, and the table at the left had the sweet curved legs consistent with Victorian style. The linens in the room are also older in style. The Craftsman look still used linens to protect a tabletop, but they were much simpler, not as lacy as those on the table or piano top, and in the Craftsman style, the linen would have left part of the beautiful wood of the table visible for admirers to enjoy quarter-sawn oak or other beautiful woods. The curtains in this room are lace too, but Craftsman-style window coverings would often be a shade or simple gauze, cotton, or linen curtains, perhaps with small appliqué or stenciling. The ferns in the room kept the Victorian look as well- people of that era just loved ferns. (Ferns grew well inside the darker homes of the past, too.)

It looks like they moved things around for this second picture, likely taken at the same time.

Even the folder/mat of the first picture has Craftsman elements in the simple but elegant embossed detail framing the picture.

These are great pictures of George A. Roberts, Sr., plus they give us a glimpse into the daily homelife of George, his wife Ella Viola (Daniel) Roberts, and their children, George Anthony Roberts, Jr., Ethel Gay Roberts, and Edith Roberts. Can you imagine a cold winter day with the winds blowing across the Iowa prairie, a harvest safely stored in bins or sold to provide for the family for the next crop, and next year? Can you see the family here, young Georgie teasing his sisters while George Sr was in his rocker trying to read and Ella was mending the clothes of hard working farmers by gas light or finally, electric lights? Their home bridged eras, and the family’s preservation of these wonderful images and stories has bridged time for us, too.

Notes, Sources, and References: 

1. Edith (Roberts) [McMurray] Luck talked often of her father, and is the source of much information about the family. Her stories about life on the farm have been quoted in many articles, and there are still more to share.
2. Image from our shared family treasure chest of photos.

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Original content copyright 2013-2019 by Heritage Ramblings Blog and pmm.

Roberts Family (Click for Family Tree)

Although the above image is not for Jasper County, Iowa, and was taken much later than 1906, the view would have been much the same for little Edith Roberts [later McMurray Luck] and her family as they drove to town in the long, cold winters of her childhood.

Edith wrote stories, spurred on by her dearest granddaughter, of her years growing up on the family farm. People travelled and visited more than many of us thought they would in those days, and in Iowa in winter, that would mean a horse (or two) carrying them through ice, snow, blizzards, etc. (They took the train to some places, but with living way out in a rural area, one would have to get to a larger town or city for a train depot.)

“We lived ten miles from Newton, Iowa. Once a week, weather permitting, we made a trip to Newton, winter and summer. “

Edith’s parents were George Anthony ROBERTS (1861-1939) and Ella Viola DANIEL ROBERTS (1866-1922). Edith’s big brother, whom she adored, was George A. ROBERTS, Jr. (1889-1965). She loved her sister, Ethel Gay ROBERTS ROBISON (1891-1969) very much too, even risking the wrath of their father as she passed notes to Ethel from the boyfriend her father did not like. (Ethel married that boyfriend, Bert ROBISON, and her father disowned her, never speaking to her again or acknowledging her children.) But I digress, and we need to get back to 1906, when Edith was just seven years old, and the family was heading to town.

Here is a description, in Edith’s words, of some of the preparation for their trip:

“Brother would be outside getting the horses and bobsled (or buggy) ready. To make up the bobsled they would put a wagon box on the two sets of runners and two sets of sideboards on the wagon box to cut down the wind blowing across the wagon box. Then they dumped a lot of clean straw in the wagon box and scattered it around, making it a foot deep at least. It smelled so fresh and clean.”

Getting ready to leave meant dressing for the weather, as well as wanting to look good when one got into town.

“While mother was hurrying around seeing that I got dressed, and sister too, Dad would still be warming his back at the oven door. He was always so cold. He had had sciatica-rheumatism before I was born and had had to learn to walk again.”

Edith was the baby and beloved by her father, who had red hair, as she did. (Her brother Georgie had red hair as well.)

“I would be would be wearing either a blue dress or a red one, whichever was the older. The newer one would be kept for special occasions. Every winter I would have one new dress, just one. When I pranced out for my dad’s admiration, he would say; “Well, well, my girl is a red bird today, what is yours?” or a bluebird, if I was wearing the blue dress.”

Ethel was fifteen in 1906, so was very concerned with how she looked before the trip.

“Mother would be insisting that sister put on a sweater as she was never dressed warm enough. She would say; “Button up your coat, and tie that fascinator closer around your neck.” A fascinator was a long wide scarf very soft and warm. Sister had worked on her hair all morning and did not want to spoil it.”

Leaving the house was not as easy as checking our programmable thermostats (ok, who even bothers with that??). One had to plan ahead, as they knew they would be very cold by the time they got back home:

“Dad or mother would bank the fire in the cook stove so that all we had to do when we got home was just stir it up, and with some corn cobs and a dash of kerosene the fire would be going in short order. No one was allowed to use kerosene except mother and dad.”

To be continued…

Notes, Sources, and References: 

1. “A Trip to Town, 1906–Wintertime” by Edith (Roberts) [McMurray] Luck. Written in the 1960s-1970s for her grandchildren.

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ROBERTS Family (Click for Family Tree)

So just what IS a pickle castor??

It is a fancy jar for pickles, from back in the day when it was important to set a beautiful table.

Pickle castors were made of silver or silver-plate, with glass jars about 7″ high to hold pickle spears. The metal frame had a handle for carrying, with a hook for the tongs to use to get a pickle out in a delicate manner. The base was often elaborately decorated, as was the handle and even the tongs of some sets.

The glass jars were most commonly molded in cut glass designs, but more expensive versions used real cut glass. (Many sold today as ‘antiques’ have reproduction jars in them, since that part was often lost to breakage.)

The Kovel’s Antiques webpage states that, “Castor jars became more ornate each year, and by 1860, they were cathedral-like pieces.” (The handle on this jar definitely is ‘cathedral-like.’) Pickle castors were still popular in 1890, but had gone out of fashion by about 1900.

I believe this pickle castor belonged to the family of George Anthony Roberts and Ella Viola (Daniels) Roberts of Jasper County, Iowa. It was found in the house of their daughter, Edith (Roberts) [McMurray] Luck. If memory serves, it used to be in the old homeplace that Edith’s brother George Anthony Roberts, Jr. lived in while he farmed the land after their parents retired and moved into town. George and Ella married in 1885 in Jasper County, so this could have been a wedding gift. Rural areas change slower in their fashions than in the big cities, so it likely was still popular to have a pickle castor on the table into the early 1900s. There are some dim memories of such pretties in an upper cabinet in that house or another house that Georgie (Jr.) may have lived in. And we know that the Roberts women made fantastic pickles, so it might have been used frequently!

Another possibility is that this belonged to George Sr.’s parents, John Roberts and Elizabeth Ann Murrell Roberts, who married in 1857, when pickle castors were at the height of their popularity. If this is true, and they received it as a wedding gift, it would have travelled by covered wagon from Roseville, Illinois to Jasper County in 1868! They probably wrapped it in cloth scraps that would later be used for mending or quilts, then packed it among clothes and blankets in a box stashed inside the wagon. Elizabeth would have probably feared it would be broken when they arrived, but making the trip intact would have been cause for joy after leaving so many possessions behind.

Of course, this is all conjecture, and Edith may have bought it at an estate sale, where she loved to shop. She would not have gone to the sales for her own home until the mid-1920s, though. Additionally, she was not a woman who enjoyed fancy things, so this does not seem to be the origin of this pickle castor.

The design of this is most likely Aesthetic Victorian- seems a bit flowery to be Eastlake, but expert opinions are welcome.

Notes, Sources, and References: 

1. Kovel’s website– https://www.kovels.com/price-guide/glass-price-guide/castor-jar/Page-7.html

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Roberts Family (Click for Family Tree)

Notes, Sources, and References: 

1. Family treasure chest of photos, cropped from the original larger picture of all the descendants of John S. Roberts and Elizabeth Ann (Murrell) Roberts.
2. For original, large image please see also Treasure Chest Thursday: The John Roberts and Elizabeth Ann Murrell Roberts Family in 1892 at http://heritageramblings.net/2014/02/06/the-john-roberts-and-elizabeth-ann-murrell-roberts-family-in-1892/.

Click to enlarge any image. Please contact us if you would like an image in higher resolution.

Original content copyright 2013-2016 by Heritage Ramblings Blog and pmm.